Verdi La Traviata of Anna Netrebko

Why do we need opera nowadays? It is based on outdated subjects, emotions, stories. Musical language in most famous operas is not modern, too difficult for people who are used to perceive sound track no longer than 5-6 min. No trick effects, no computer graphics. For generation of cinematography and computers it is too boring to sit three hours and look to the stage where are one or two-three singers walking hither and thither. No explosions, pursuits and fights.

Yeah, really I am wonder that the Opera genre is still alive. And feels not bad should I admit. Especially if a good professional as Willy Decker straps to his work. His 2005 Salzburg Festival production of Verdi’s La Traviata is something unforgettable.



Dramatic acting of Russian operatic star Anna Netrebko and fantastic Alfredo - Rolando Villazón – makes me feel creepy all over. I think that the passion, which singers put into the acting, and stage relaxedness make theirs vocal parts more realistic and vivid. Although sometimes it seems to me that this style of performing prevents singers to sing theirs parts more carefully and exactly. In the Violetta’s Air Sempre Libera from the I Act orchestra hardly can follow a singer here and there. Of course how can we expect this if Violetta is blind drunk? I am only wonder and terrified how it is possible to sing in such inconvenient positions.



That broken up glass was very impressive, wasn’t it?

Just let us compare with another recording of this Air. I advise you to take note of the acting, costumes and stage design. No glasses, but shoes.



Yeah, absolutely different idea… and impression. Which version do you like more?
Sheet music of Verdi’s La Traviata piano score.