Friday, July 18, 2014

Leonard Cohen's Hallelujah Belongs to Everyone

Hallelujah. A song-legend, a modern timeless hit with a long and most difficult past full of both obscurity and fame. Who could predict that the original song that appeared in 1984 and dragged immense effort out of its author would reach such a peak in world music?

Leonard Cohen did spend a lot of time and energy on writing this song, sitting on the floor and banging his head in despair not being able to finish the work. And even after he did succeed in that, and even after re-writing the verses for 80 times – the record studio did not accept the result calling it awful and not compatible with pop music standards of the time. And so it lay down there in the couloirs for years waiting for a second chance which came with the young and hungry musician Jeff Buckley and his rendition of the song. Since then a wave of recordings flowed, each and every interpreting Hallelujah in a different way – some artists were stressing the religious part, others – the secular. But even now the song remains so universal that it can be played both at weddings and funerals and sound equally to-the-point. Talent shows, movies, church ceremonies, dozens of artists famous and not (Bono, John Cale, Regina Spector, k.d. lang, Timberlake, etc.) – Hallelujah has dwelt everywhere.

In a few dozen years Hallelujah ‘lost’ its owner, it became an international song, belonging to everyone in a way.

Father Ray Kelly sings Hallelujah to the bride and groom

Haydn's Miracle Symphony No.102

They call Joseph Haydn the father in music. He is considered to be, indirectly, the father of both the symphony and the string quartet, hav...